Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.  Related Paintings of BREENBERGH, Bartholomeus :. | The Finding of Moses | The Preaching of St John the Baptist | Ruins of the City Walls, near Porta S Paolo, Rome dsf | Joseph Selling Wheat to the People dsf | Joseph verkauft Korn |
Related Artists:
Henry Scott Tuke
British Painter and photographer , 1858-1929 English painter. He entered the Slade School of Art, London, in 1875, under Alphonse Legros and Sir Edward Poynter. In 1877 he won a Slade scholarship and in 1880 travelled to Italy, where he made his first nude life drawings, an important revelation to him of light, colour and the human form. From 1881 to 1883 he was in Paris and met Jules Bastien-Lepage, who encouraged his studies en plein air.
Gaspar Van Wittel
Dutch Baroque Era Painter, ca.1653-1736 was a Dutch landscape painter. Van Wittel learned painting in his hometown of Amersfoort. His first extant works were made in Hoorn in 1672, but he relocated to Rome with his family ca. 1675 and made his career there. In Amersfoort, he likely was exposed to Dutch landscape artists such as Jan van der Heyden and Gerrit Berckheyde. He married in Rome in 1697, and stayed most of his life in that city, though, between 1694 and 1710, he toured Italy and painted in places like Florence, Bologna, Ferrara, Venice, Milan, Piacenza and Naples. He is one of the principal painters of topographical views known as vedute. His son Luigi would become a famous architect and also carries the italianized family name of Vanvitelli. In Luigi's biography is written that his father was born in July 1656,
Koch, Joseph Anton
Austrian Painter, 1768-1839 Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.